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Cake day: June 30th, 2023

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  • Ro was basically on probation in her first appearance or two, IIRC. Uniform modifications are allowed at the discretion of the officer’s CO, and Ro was already in something of a disciplinary thing, so forbidding modifications makes some sense.

    While the earring is typically religious and she may have been able to argue for reasonable accomodation on those grounds, Ro specifically wears it on the left ear, which is considered a secular way to show familial heritage while also indicating you don’t follow the Bajoran faith.



  • My take is that nobody will care if you are bald, but with all their tech you can have as much or as little hair as you want. It’s an aesthetic choice that’s entirely yours, and no matter what you pick it’s not going to really attract attention. I mean, who’s going to care about your hair when you live next to a temporally displaced Klingon veterinarian and work with a guy who once got to be Q for a day? And even that is just kind of normal?



  • They couldn’t get Chao or Meaney quite as frequently as everyone else because of their film careers. I know with Meaney they really wanted to show off his acting skills when they had him and determined that he portrayed suffering really well, so O’Brien suffered a lot. I think Keiko’s problem was that she was only in a couple episodes per season and the focus was typically on whatever horror was happening to Miles that week. She’s not so much a bad wife as a barely present side character.









  • and they certainly treated specific items as “valuable” (historical items, weapons, and especially liquor.)

    Historical items definitely have non-monetary value. They can’t truly be replaced since, no matter how accurate the replica, only the one chair will be the Enterprise-A’s captain’s chair, for example. Replicators have software restrictions on what you can make with them, so you can’t just replicate weapons under normal circumstances, which creates scarcity and gives them value. Starfleet replicators also seem to be restricted from creating alcohol, which means most of the characters we see can only get it on shore leave, which also creates scarcity and therefor value. Alcohol is probably significantly less scarce when sourced through civilian replicators. The ones on DS9 are programmed with Starfleet’s restrictions, though.



  • Vulcans as a whole, or at least Vulcan leadership, definitely seem to lean toward caution and a dash of fear. ENT showed a lot of this with how the pre-Federation Vulcan government reacted to Earth’s rapid technological advancement.

    Individually, they seem to vary a lot. Spock and T’Lyn have goals they use logic to both choose and achieve, but are fine with experiencing emotions along the way, so long as it doesn’t interfere with achieving their goal (after heavy character development for Spock). Sarek privately admits, in a roundabout way, that at least some of his decisions are driven by emotion, such as marrying Amanda, but doesn’t let his emotional private life interfere with his strictly rational professional life, often to the consternation of his children. And then you have Solok, the speciesist captain from DS9, who is totally driven by his emotions and deeply in denial about it. And, finally, Tuvok, who very specifically operates entirely based on logic, rejecting his emotions to the point that he sometimes has problems recognizing emotional behavior in others. Tuvok seems to be what the average Vulcan aspires to be, and many believe they already are, but a significant number seem to be more like Solok, with the better adjusted of them being like Sarek. Spock and T’Lyn actually seem to be a very small minority.




  • Depending on who’s writing the episode, yeah, and it’s a great concept that I felt was explored well. Other times, however, we have an episode where Tuvok talks at length about the training and conditioning he underwent to control his emotions, then in the very next episode, talk at length about how Vulcans are naturally emotionless and incapable of feeling emotion at all. This chronic lack of consistency in the writers’ room is a big part of why Moore left the show to reboot BSG.